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	<title>Comments for Juliana Jimenez</title>
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	<link>http://julianajimenez.com</link>
	<description>Photography, Writing, Video, Multimedia, Art</description>
	<lastBuildDate>Tue, 16 Apr 2013 21:09:42 +0000</lastBuildDate>
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		<title>Comment on Turns Out Dexter Was a Real Person, His Name Was Miguel by Juliana Jimenez</title>
		<link>http://julianajimenez.com/2012/12/21/turns-out-dexter-was-a-real-person-his-name-was-miguel/#comment-1411</link>
		<dc:creator><![CDATA[Juliana Jimenez]]></dc:creator>
		<pubDate>Tue, 16 Apr 2013 21:09:42 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=1054#comment-1411</guid>
		<description><![CDATA[Thanks. We already took the photo down on the site. Our hearts go out to the victims&#039; families.]]></description>
		<content:encoded><![CDATA[<p>Thanks. We already took the photo down on the site. Our hearts go out to the victims&#8217; families.</p>
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		<title>Comment on Turns Out Dexter Was a Real Person, His Name Was Miguel by Anonymous</title>
		<link>http://julianajimenez.com/2012/12/21/turns-out-dexter-was-a-real-person-his-name-was-miguel/#comment-1410</link>
		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Tue, 16 Apr 2013 19:00:29 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=1054#comment-1410</guid>
		<description><![CDATA[Campbell&#039;s photo appears to be on line as an EMT takes her pulse.  Looks like she must have died instantly.  I wonder if someone will take the photo down.]]></description>
		<content:encoded><![CDATA[<p>Campbell&#8217;s photo appears to be on line as an EMT takes her pulse.  Looks like she must have died instantly.  I wonder if someone will take the photo down.</p>
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		<title>Comment on Radiolab, new favorite thing by Narek</title>
		<link>http://julianajimenez.com/2012/01/09/radiolab-new-favorite-thing/#comment-1311</link>
		<dc:creator><![CDATA[Narek]]></dc:creator>
		<pubDate>Sat, 23 Feb 2013 00:37:20 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=657#comment-1311</guid>
		<description><![CDATA[At 30:20 they start talking about linnaerg to see colors previously overlooked. Perhaps Tetrachromats aren&#039;t using their range of vision because they haven&#039;t established a category or storage slot in there brain.This reminds me of a comment Alex Kanevsky made to me. I heard some painters say he&#039;s the greatest living painter in America.  He has a great photo album on his Facebook page called &quot;Philadelphia, The Most Beautiful City in the World&quot;. Being from Philly and keyed into the wry sense of humor, plus having a cartoonist mind I would often make clever-ish comments on his photos. He told me, &quot;You have to be quiet to let the beauty arise.&quot; I thought that was rather profound. Likewise the above mentioned point in the show solidifies the notion that we can look at anything closely, quietly, intently for a long time and new more nuanced categories will likely reveal themselves. New storage slots may suddenly appear in brains and open up a new breadth of perception.]]></description>
		<content:encoded><![CDATA[<p>At 30:20 they start talking about linnaerg to see colors previously overlooked. Perhaps Tetrachromats aren&#8217;t using their range of vision because they haven&#8217;t established a category or storage slot in there brain.This reminds me of a comment Alex Kanevsky made to me. I heard some painters say he&#8217;s the greatest living painter in America.  He has a great photo album on his Facebook page called &#8220;Philadelphia, The Most Beautiful City in the World&#8221;. Being from Philly and keyed into the wry sense of humor, plus having a cartoonist mind I would often make clever-ish comments on his photos. He told me, &#8220;You have to be quiet to let the beauty arise.&#8221; I thought that was rather profound. Likewise the above mentioned point in the show solidifies the notion that we can look at anything closely, quietly, intently for a long time and new more nuanced categories will likely reveal themselves. New storage slots may suddenly appear in brains and open up a new breadth of perception.</p>
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		<title>Comment on Space Colony Art from the 1970s by artofnick</title>
		<link>http://julianajimenez.com/2012/12/13/space-colony-art-from-the-1970s/#comment-1289</link>
		<dc:creator><![CDATA[artofnick]]></dc:creator>
		<pubDate>Thu, 24 Jan 2013 09:54:39 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=1048#comment-1289</guid>
		<description><![CDATA[I made this video in response to these designs.  Check it out!
http://www.youtube.com/watch?v=egULM3cwLyI]]></description>
		<content:encoded><![CDATA[<p>I made this video in response to these designs.  Check it out!<br />
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='580' height='357' src='http://www.youtube.com/embed/egULM3cwLyI?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span></p>
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		<title>Comment on Scientists Discover Children’s Cells Living in Mothers’ Brains by omarjimenezrealtor</title>
		<link>http://julianajimenez.com/2012/12/10/scientists-discover-childrens-cells-living-in-mothers-brains/#comment-1237</link>
		<dc:creator><![CDATA[omarjimenezrealtor]]></dc:creator>
		<pubDate>Mon, 10 Dec 2012 01:28:34 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/2012/12/10/scientists-discover-childrens-cells-living-in-mothers-brains/#comment-1237</guid>
		<description><![CDATA[Chevere!!! Ya se de donde vienes tan linda e inteligente!!! OJC  

	 	WordPress.com 	 	 

	 		 					 				Juliana Jimenez posted: &quot; &quot;]]></description>
		<content:encoded><![CDATA[<p>Chevere!!! Ya se de donde vienes tan linda e inteligente!!! OJC  </p>
<p>	 	WordPress.com 	 	 </p>
<p>	 		 					 				Juliana Jimenez posted: &#8221; &#8220;</p>
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		<title>Comment on Valentine&#8217;s Day is Coming, Consuelo by Reh</title>
		<link>http://julianajimenez.com/2011/01/21/valentines-day-is-coming-consuelo/#comment-1190</link>
		<dc:creator><![CDATA[Reh]]></dc:creator>
		<pubDate>Mon, 19 Nov 2012 18:05:06 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=551#comment-1190</guid>
		<description><![CDATA[very pleased to meet up with Jerry this morinng and we were very impressed  about what you guys are doing down there as  it is a very beautiful place.We remember it years ago when people could kayak there and buy ice creams and teas from the lovely old shop and feed the ducks and trout.We are more than happy to come and help you guys once a month to do our bit and our membership application will be coming within the next week.Well done, Jerry.Your arm bending worked! Looking forward to meeting you all and helping with your good work.It is a place well worth restoring back to its former glory.Keith &amp; Linda.  Tauranga]]></description>
		<content:encoded><![CDATA[<p>very pleased to meet up with Jerry this morinng and we were very impressed  about what you guys are doing down there as  it is a very beautiful place.We remember it years ago when people could kayak there and buy ice creams and teas from the lovely old shop and feed the ducks and trout.We are more than happy to come and help you guys once a month to do our bit and our membership application will be coming within the next week.Well done, Jerry.Your arm bending worked! Looking forward to meeting you all and helping with your good work.It is a place well worth restoring back to its former glory.Keith &amp; Linda.  Tauranga</p>
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		<title>Comment on &#8220;Minority Report&#8221; Iris Scanners Are Here by Sakuragi</title>
		<link>http://julianajimenez.com/2012/05/29/minority-report-iris-scanners-are-here/#comment-1182</link>
		<dc:creator><![CDATA[Sakuragi]]></dc:creator>
		<pubDate>Mon, 19 Nov 2012 14:52:50 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=876#comment-1182</guid>
		<description><![CDATA[(Hardcover)      Arthur C. Clarke The Lost Worlds of 2001 Sidgwick &amp; Jackson, Paperback, 1972. 12mo. 240 pp. Foreword by Arthur C. Clarke [p. 11]. First published in 1972. Contents Foreword 1. View of the Year 2000 2. Son of Dr. Strangelove 3. The Sentinel 4. Christmas, Shepperton 5. Monoliths and Manuscripts 6. The Dawn of Man 7. First Encounter 8. Moon-Watcher 9. Gift from the Stars 10. Farewell to Earth 11. The Birth of HAL 12. Man and Robot 13. From the Ocean, from the stars 14. With Open Hands 15. Universe 16. Ancestral Voices 17. The Question 18. Midnight, Washington 19. Mission to Jupiter 20. Flight Pay 21. Discovery 22. The Long Sleep 23. Runaway 24. First Man to Jupiter 25. The Smell of Death 26. Alone 27. Joveday 28. Jupiter V 29. Final Orbit 30. The Impossible Stars 31. Something Is Seriously Wrong with Space 32. Ball Game 33. Last Message 34. The Worlds of the Star Gate 35. Reunion 36. Abyss 37. Cosmopolis 38. Scrutiny 39. Skyrock 40. Oceana 41. Into the Night Land 42. Second Lesson Epilogue Note on the conntets.  The book is a very curious mixture of fiction and non-fiction. Apart from the Foreword and the Epilogue, the conntets can be split as follows: - Chapters 1, 3, 7-10, 12-18, 20-33, 35-42 are fiction: leftovers, alternative versions, etc. that were supposed to be used in the writing of the novel but in the event were discarded. The only exception is the short story  The Sentinel  which was published as early as 1951. All other pieces apparently appear here for the first time. - Chapters 2, 4-6, 11, 19 and 34 are non-fiction. They mostly serve as links between the fictional parts. The early chapters are mostly concerned with the genesis of the novel and the movie in parallel. ========================================== If you have the same defect of character as I do, namely if Arthur Clarke&#039;s classic science fiction novel  (1968) is among the greatest experiences of your young adulthood, you should certainly read this book. First published in 1972, that is when the events were still fresh,  The Lost Worlds of 2001  is a detailed account of the strange working relationship between Arthur Clarke and Stanley Kubrick during the 1960s which produced a novel and a movie that have become absolute classics; curiously enough, both were born during the same time and the adaptation for the screen was actually released first, whereas the novel appeared a little later on the same year. I daresay this book might be quite boring for those movie fans who don&#039;t care for Arthur Clarke or his novel, but it sure makes an engrossing read for those who do the opposite. It contains lots of compelling and illuminating details about the origins of at least one masterpiece. Since there is in this book quite a bit about the movie, I have to make something clear in the beginning: the extravagant praise usually accorded to Stanley Kubrick&#039;s 2001: A Space Odyssey I have always found frightfully perplexing. Now, I wish there was other say to say it, but there isn&#039;t: the movie is perfect crap! What exactly its classical status rests upon is an absolute mystery for me. It is a visual tour de force all right, but that&#039;s just about the only asset it might possibly have; except perhaps that some of its music is among the greatest ever composed; if, indeed, the movie has brought to more receptive ears the famous opening of Richard Strauss&#039; magnificent tone poem Also Sprach Zarathustra, that&#039;s something; actually, this opening is famous more because of this movie than because of anything else, I think. As for the visual side, it is not nearly as impressive today as it must have been in 1968, of course, but it has aged surprisingly well. So much for the good sides though. For otherwise the movie is one failure after another. To begin with, a good many people have complained that when they saw it before the book, they didn&#039;t understand the ending at all   only later did the novel make it clear. This is as expected   for the ending is an incomprehensible mess. What&#039;s worse, the pace is appallingly slow   imagine a spaceship landing that lasts for full ten minutes, during which you can appreciate Strauss&#039; famous waltz An der schf6nen blauen Donau, another musical masterpiece from the soundtrack; but even the greatest music cannot make the scene less tedious. The whole cast is downright horrible. Keir Dullea is as dull as a Dave Bowman as one could]]></description>
		<content:encoded><![CDATA[<p>(Hardcover)      Arthur C. Clarke The Lost Worlds of 2001 Sidgwick &amp; Jackson, Paperback, 1972. 12mo. 240 pp. Foreword by Arthur C. Clarke [p. 11]. First published in 1972. Contents Foreword 1. View of the Year 2000 2. Son of Dr. Strangelove 3. The Sentinel 4. Christmas, Shepperton 5. Monoliths and Manuscripts 6. The Dawn of Man 7. First Encounter 8. Moon-Watcher 9. Gift from the Stars 10. Farewell to Earth 11. The Birth of HAL 12. Man and Robot 13. From the Ocean, from the stars 14. With Open Hands 15. Universe 16. Ancestral Voices 17. The Question 18. Midnight, Washington 19. Mission to Jupiter 20. Flight Pay 21. Discovery 22. The Long Sleep 23. Runaway 24. First Man to Jupiter 25. The Smell of Death 26. Alone 27. Joveday 28. Jupiter V 29. Final Orbit 30. The Impossible Stars 31. Something Is Seriously Wrong with Space 32. Ball Game 33. Last Message 34. The Worlds of the Star Gate 35. Reunion 36. Abyss 37. Cosmopolis 38. Scrutiny 39. Skyrock 40. Oceana 41. Into the Night Land 42. Second Lesson Epilogue Note on the conntets.  The book is a very curious mixture of fiction and non-fiction. Apart from the Foreword and the Epilogue, the conntets can be split as follows: &#8211; Chapters 1, 3, 7-10, 12-18, 20-33, 35-42 are fiction: leftovers, alternative versions, etc. that were supposed to be used in the writing of the novel but in the event were discarded. The only exception is the short story  The Sentinel  which was published as early as 1951. All other pieces apparently appear here for the first time. &#8211; Chapters 2, 4-6, 11, 19 and 34 are non-fiction. They mostly serve as links between the fictional parts. The early chapters are mostly concerned with the genesis of the novel and the movie in parallel. ========================================== If you have the same defect of character as I do, namely if Arthur Clarke&#8217;s classic science fiction novel  (1968) is among the greatest experiences of your young adulthood, you should certainly read this book. First published in 1972, that is when the events were still fresh,  The Lost Worlds of 2001  is a detailed account of the strange working relationship between Arthur Clarke and Stanley Kubrick during the 1960s which produced a novel and a movie that have become absolute classics; curiously enough, both were born during the same time and the adaptation for the screen was actually released first, whereas the novel appeared a little later on the same year. I daresay this book might be quite boring for those movie fans who don&#8217;t care for Arthur Clarke or his novel, but it sure makes an engrossing read for those who do the opposite. It contains lots of compelling and illuminating details about the origins of at least one masterpiece. Since there is in this book quite a bit about the movie, I have to make something clear in the beginning: the extravagant praise usually accorded to Stanley Kubrick&#8217;s 2001: A Space Odyssey I have always found frightfully perplexing. Now, I wish there was other say to say it, but there isn&#8217;t: the movie is perfect crap! What exactly its classical status rests upon is an absolute mystery for me. It is a visual tour de force all right, but that&#8217;s just about the only asset it might possibly have; except perhaps that some of its music is among the greatest ever composed; if, indeed, the movie has brought to more receptive ears the famous opening of Richard Strauss&#8217; magnificent tone poem Also Sprach Zarathustra, that&#8217;s something; actually, this opening is famous more because of this movie than because of anything else, I think. As for the visual side, it is not nearly as impressive today as it must have been in 1968, of course, but it has aged surprisingly well. So much for the good sides though. For otherwise the movie is one failure after another. To begin with, a good many people have complained that when they saw it before the book, they didn&#8217;t understand the ending at all   only later did the novel make it clear. This is as expected   for the ending is an incomprehensible mess. What&#8217;s worse, the pace is appallingly slow   imagine a spaceship landing that lasts for full ten minutes, during which you can appreciate Strauss&#8217; famous waltz An der schf6nen blauen Donau, another musical masterpiece from the soundtrack; but even the greatest music cannot make the scene less tedious. The whole cast is downright horrible. Keir Dullea is as dull as a Dave Bowman as one could</p>
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		<title>Comment on Hand-colored photographs of Jerusalem and Palestine by Der zwölfjährige Jesus im Tempel &#171; Judenbücher in der Kritik &#8211; Die Bibeltestamente</title>
		<link>http://julianajimenez.com/2012/07/13/hand-colored-photographs-of-jerusalem-and-palestine/#comment-671</link>
		<dc:creator><![CDATA[Der zwölfjährige Jesus im Tempel &#171; Judenbücher in der Kritik &#8211; Die Bibeltestamente]]></dc:creator>
		<pubDate>Fri, 13 Jul 2012 14:55:00 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.com/?p=934#comment-671</guid>
		<description><![CDATA[[...] Hand-colored photographs of Jerusalem and Palestine (julianajimenez.com) [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Hand-colored photographs of Jerusalem and Palestine (julianajimenez.com) [...]</p>
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		<title>Comment on Contact by Juliana Jimenez</title>
		<link>http://julianajimenez.com/contact-2/#comment-654</link>
		<dc:creator><![CDATA[Juliana Jimenez]]></dc:creator>
		<pubDate>Tue, 10 Jul 2012 01:20:50 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.wordpress.com/?page_id=135#comment-654</guid>
		<description><![CDATA[Hey Pamela,

Thanks a lot for writing me. Sorry about the comments problem, I&#039;ve had that happen before too, actually. I&#039;ll let someone know to see if they can get it corrected. 
As for the expiration green card, thanks so much for the heads up, and sorry that wasn&#039;t clearer. I updated this in the article. 

Thanks again,

Juliana]]></description>
		<content:encoded><![CDATA[<p>Hey Pamela,</p>
<p>Thanks a lot for writing me. Sorry about the comments problem, I&#8217;ve had that happen before too, actually. I&#8217;ll let someone know to see if they can get it corrected.<br />
As for the expiration green card, thanks so much for the heads up, and sorry that wasn&#8217;t clearer. I updated this in the article. </p>
<p>Thanks again,</p>
<p>Juliana</p>
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		<title>Comment on Contact by pwik</title>
		<link>http://julianajimenez.com/contact-2/#comment-618</link>
		<dc:creator><![CDATA[pwik]]></dc:creator>
		<pubDate>Thu, 05 Jul 2012 03:39:28 +0000</pubDate>
		<guid isPermaLink="false">http://julianajimenez.wordpress.com/?page_id=135#comment-618</guid>
		<description><![CDATA[Hey, Juliana! Comments not working for me at Slate so leaving you a note here. Older &quot;green cards&quot; don&#039;t expire every ten years, just the newer ones. Mine looks like the pink one in your article and was issued in 1979. No expiration date causes some bureaucratic hassles with people who have not seen the older ones, but it&#039;s perfectly legit! Just thought you might want to correct the info in your article.

Cheers,
Pamela Wik]]></description>
		<content:encoded><![CDATA[<p>Hey, Juliana! Comments not working for me at Slate so leaving you a note here. Older &#8220;green cards&#8221; don&#8217;t expire every ten years, just the newer ones. Mine looks like the pink one in your article and was issued in 1979. No expiration date causes some bureaucratic hassles with people who have not seen the older ones, but it&#8217;s perfectly legit! Just thought you might want to correct the info in your article.</p>
<p>Cheers,<br />
Pamela Wik</p>
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